inversion

theoryin-VER-zhunfrom Latin

Rearranging the notes of a chord so a note other than the root is in the bass.

In Depth

A chord inversion rearranges its notes so that a note other than the root is in the bass. A C major triad in root position has C in the bass; in first inversion, E is in the bass; in second inversion, G is in the bass. Each inversion gives the chord a different character and weight. Inversions are essential for smooth voice leading — moving between chords with minimal movement in each voice. Without inversions, bass lines would jump erratically between chord roots. In figured bass, a notation system from the Baroque era, inversions are indicated by numbers below the bass note. Understanding inversions is fundamental to both composition and harmonic analysis.
Did you know?

The second inversion of a chord (like C/G) was considered so unstable in 18th-century theory that strict rules governed when and how it could be used. Breaking these rules was a mark of genius — or incompetence.

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