German sixth

theoryJER-mun sixthfrom German

An [augmented sixth chord](/term/augmented%20sixth%20chord) containing four notes, distinguished by a perfect fifth above the bass

In Depth

The German sixth (Ger+6) adds a perfect fifth above the bass to the Italian sixth structure. In C minor, it would be A♭-C-E♭-F♯. This spelling is enharmonically equivalent to a dominant seventh chord (A♭-C-E♭-G♭ = A♭7), which creates a useful modulatory ambiguity. The German sixth resolves to a cadential 6/4 chord to avoid parallel fifths. Its richly consonant quality made it a favourite of Romantic composers, particularly Wagner and Bruckner.
Did you know?

The German sixth's enharmonic equivalence with a dominant seventh chord is the basis of the enharmonic [modulation](/term/enharmonic%20modulation) technique that Wagner used to create seamless key changes.

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